• Opinion: Fashion and Prisons

    Last week I read an interesting article about an American clothing company who have come up with a creative solution to two social problems. At LCF, I have always been passionate about using the power of fashion to tackle social, environmental or political issues so it immediately caught my eye. The article mentions how little…

  • Business of Fashion 500

    Last night I had the pleasure of attending the Business of Fashion’s annual gala dinner in order to celebrate the #BoF500 – a professional index of the people they think are shaping the global fashion industry. I was surprised but equally thrilled to be included on this year’s list! The index is based on nominations received from…

  • HUFFINGTON POST: How is digital technology changing London fashion week?

    With fashion week season already upon us and our social media feeds filling with glimpses of the catwalk, it’s a good time to reflect on how the industry is changing the way it presents itself and the relevance of live shows in a digital age. The catwalk will always play a pivotal role in how…

  • Creativity in Crises (Venice Biennale)

    Whilst in Venice last week I visited the Proportio exhibition at one of my favourite museums – The Fortuny Museum. The exhibition, curated by Axel Vervoordt and Daniela Ferretti, showed the film ‘Atlanti’ by Francesco Jodice in which one of the characters says ‘It’s not the end of the world…but you can see it from…

  • Glasstress: Gotika (Berengo Studios)

    Whilst in Venice last weekend I underwent a cultural rejuvenation as I visited some of the many exciting exhibitions taking place there. One of those I was looking forward to seeing was the latest Glasstress exhibition which our own Chair of Art in the Environment, Lucy Orta has taken part in. The Glasstress project, which…

  • Archive Artefacts: Thea Porter Blouse

    From one era defining woman to another, Thea Porter may not be as famous a name as last week’s featured designer Mary Quant, however her influence on the look of her era is just as significant. Porter’s exotic fabrics and loose, sensual designs helped instigate the boho-chic look of the late 60s and 70s. Inspired…

  • BUSINESS OF FASHION: Schools Must Respond to the Needs of the Industry

    Last week I wrote a piece for one of my indispensable sources, Business of Fashion, on why and how we should integrate business learning into creative education.   Fashion is of course a creative subject — many forms of fashion are viewed and understood as art — yet it is also a commercially driven world,…

  • Archive Artefacts: Mary Quant Make Up

    Considering my black and white theme for this year’s display in my office, I couldn’t miss out on adding these classic pieces from the fantastic Mary Quant Make-Up Collection we have in the LCF Archives. These pieces, the second reveal in this Archive Artefact series, were picked from over 60 items collected by an alumni…

  • Archive Artefacts: Percy Savage Bow Ties

    London College of Fashion has a range of weird and wonderful items held in its college archive. The archive contains pieces of the college’s history, from its original trade schools at Barrett Street, Shoreditch, Clapham and Cordwainer’s School, as well as some particularly inspiring, special collections. The special collections include the likes of the Mary…

  • HARPER'S BAZAAR: Working uniforms

    Today’s woman is overloaded with choice; which job, where to live, what to buy. What to wear to work is yet another decision to make. Such choices give women a level of freedom that should not be taken for granted, but they can also place a psychological burden. How can we make clear decisions on…